I became an interior architect out of a fascination with what people ask of a home: that it be a sanctuary, not just an address.
What sits at the core of that wish — and how can design answer it? I've been circling that question ever since, and every project begins the same way: by really listening.
To a client's habits, their character, the things they love.
I grew up surrounded by music, art, and cultures near and far, and all of it finds its way into the work — sometimes as an undercurrent, sometimes as a reference you can point to. Between projects, the curiosity keeps working: I write about design, the questions that change a project before a wall moves, the way people attach themselves to objects and rooms.